2009 has proved that rumours of the death of the short story – so often forecast that almost every review of almost every collection seems duty-bound to repeat and thus propagate it – are greatly exaggerated. The consensus running through the end-of-year reviews is that it's been a vintage year for short fiction, and I agree.writes Chris Power on The Guardian blog and goes on to list many of the year's publishing successes.
And while there are still problems facing short story writers :
In the US it's commonplace for short story writers to get a deal for their first collection only on the proviso that a novel follows, a business practice that casts short story-writing as apprentice work. In the UK it's worse still, with story collections treated like dirty secrets to be snuck out in disguise ... with only a determined study of the back cover revealing the truth. And I don't know if it's a case of reading practices following publishing's lead or vice versa, but I'm constantly surprised and disheartened by the number of readers who tell me they don't read short stories, as if they were a homogenous type that could be not to your taste like, say, policiers.he says he sees more reaon to celebrate than mourn :
Radio 4 broadcasts nearly 150 stories a year; the Atlantic's recent decision to sell short stories via its Kindle store inspires hope for a vibrant market for individually sold shorter works, while flash fiction and sites dedicated to the short story continue to proliferate online.Well, if 2009 was good, let's hope 2010 ... and the whole of the coming decade ... will be even better for my favourite literary form!
(Cartoon by Tom Gauld.)