Another Case of Lèse Majesté

Least we find ourselves getting upset only over the case of a foreign writer ending up in a Thai jail, you might like to consider the case of Thai academic Giles Ji Ungpakorn who yesterday was informed that he is being charged with lèse majesté (and faces a maximum of 15 years in jail) because of 8 paragraphs in Chapter 1 of his book A Coup for the Rich. (The book is banned in Thailand but can be read here on PDF.)





Go read the eight paragraphs which can be found on his blog. This is legitimate political discussion, is it not, of the kind you must be able to debate in your own country? Take another look at Article 19 the UN's Declaration of Human Rights if you have any hesitation in answering that question!

In an email that I just received from Giles, he says that it was the Director of Chulalongkorn University bookshop who decided to inform Special Branch that his book "insulted the Monarchy". :

The bookshop is managed by the academic management of the university. So much for academic freedom!

It looks like the present regime is concerned with creating a climate of fear in which no dissent can be brooked, and is using the royal shield of lèse majesté to legitimise that oppression.

If you feel moved to action :

1. Write a letter of protest/concern to Prime Minister Abhisit Vejjajiva, Government House, Bangkok, Thailand. Fax number +66 (0) 29727751

2. Write a letter of protest/concern to the Ambassador, The Royal Thai Embassy, in your country.

3. Demand that Amnesty International take up all lèse-majesté cases in Thailand.

4. Demand the abolition of the lèse-majesté law.

Between Pussy and Elephant: Gritty Social Reality

Rattawat Lapcharoensap writes with both compassion and maturity and his Sightseeing is a wonderfully self-assured collection of short stories from a first time writer.

All but one of the stories are written from the point of view of teenagers coming to terms with a confusing adult world. And although the setting for each story is Thailand, Lapcharoensap steers well clear of the kind of exoticism that bedevils most South-East Asian literature. Indeed, the Thailand of the tourist brochure is roundly mocked in the opening story Farangs. Says a hotel proprietor, tourists only want "pussy and elephant":

"You give them history, temples, pagadas, traditional dance, floating markets, seafood curry, tapioca desserts, silk-weaving cooperatives, but all they really want is to to ride some hulking gray beast like a bunch of wildmen and to pant over girls and to lie there half-dead geting skin cancer on the beach during the time in between."

There's a gritty social realism in his choice of settings: a down-market brothel, a smouldering rubbish-dump, a refugee shanty, cockpits, with many of the characters living on the edge in economic terms. Lapcharoensap has his characters speak in a street-smart, vernacular language which eliminates the distance still further.

In a collection this strong, it's hard to pick favourites. But I won't easily forget the poignant tale of a son taking his mother on one last holiday before she looses her sight in the title story, and the agonising betrayal of a childhood friendship in Draft. And the last story in the book, Cockfighter - at 80 pages more a novella than a short story - is a real heart-stopper.

I've not felt this enthusiastic about a short story collection since Jhumpa Lahiri's The Interpreter of Maladies . And if I were still teaching literature at college level, I'd choose this as a set-text for sure.

(You can hear Rattawat Lapcharoensap talk about his book and read an excerpt in this recording from the Guardian blog. I also wrote a previous post about the author here.)