An Invitation to Chiew-Siah Tei's Launch

Here's an invitation to a talk and very special book-launch!

Tampin born and Glasgow based Chiew-Siah Tei is launching her first novel, Little Hut of Leaping Fishes, longlisted for the inaugural Man Asian Literary Prize in 2007. It’s a sweeping tale of sibling rivalry, cultural upheaval and the indelible power of blood ties, set during the dying days of Imperial China.

Book fans and aspiring writers alike – join us on 19 June to meet this inspiring writer!

Exclusive Pre-Launch Talk

The evening will start with an exclusive pre-launch talk where she will talk about her experience researching and writing the novel as well as the road she took to get it published.

Date: Thursday 19 June 2008

Time: 7.30p.m – 8.15p.m

Venue: British Council, South Block, Wisma Selangor Dredging

This is a free event but places are limited – please RSVP via email to arts@britishcouncil.org.my or call 03-2723 7988 by Tuesday 17 June.

Launch of Little Hut of Leaping Fishes

Date: Thursday 19 June 2008

Time: 8.30p.m – 10.00p.m

Venue: (As above)

This event is open to public – no registration required.

The first 50 guests will receive an exclusive goodie bag. Light refreshments will be served.

For more info and directions to the venue, visit our website www.britishcouncil.org.my .

The novel is published by Picador Asia and distributed by Pansing. And it's in the bookshops already!

Soft Sell?

Could it be that hardback fiction has had its day?

The way things usually happen is that a hardback copy of a new work of fiction generally appears a year or so before the novel goes into a much cheaper paperback edition.

Now one London publisher, Picador, has decided to bring out most of its fiction in "B format" (i.e. larger sized, sometimes referred to as "trade") paperback editions, accompanied by only a small number of collectors' copies (for the booksnobs among us!) in hardback in a move intended to help authors get straight to their readers.

Which all seems logical, doesn't it?

Nicholas Clee on the Guardian blog asks (and answers) the burning question:

So why have publishers persisted for so long in bringing out hardback novels, pushing for reviews and interviews with the authors, and waiting until everyone has forgotten about the publicity before issuing the affordable editions? Until 20 years ago, libraries and book clubs provided one reason, because they ordered hardbacks in decent quantities; but these quantities have dwindled to negligibility. Another reason was that literary editors thought that only hardbacks deserved reviews; there is better coverage for paperbacks on the books pages now, although it could improve further. The third was that authors felt hardback editions gave them prestige. Picador may find that this attitude endures.

That the market for literary fiction seems to have fallen to an all time low this year (remember the low sales figures reported for the Booker shortlisted titles?) is obviously a main factor in this decision. But there are, according to Clee, very great dangers of skipping straight to paperback publication:

Publishers of hardbacks can print 1,500 copies, hope for reviews and - for a lucky few - awards. The authors' careers build from there. If they dispense with hardbacks, they will have to put out larger print runs of paperbacks to justify publication; and they will find that the market is often resistant to new fiction, at any price. ... As a result, they will only take on authors whom they believe can sell the paperback print runs - a surefire recipe for conservative commissioning. The gap between the McEwans and the rest will grow. A policy that appears at first glance to be anti-elitist may turn out to have just the opposite effect.

More about book format in this piece by Honor Wilson-Fletcher from the Guardian's archives .