
Exciting news for book lovers in Penang - the first George Town Literary Festival, organised by Bernice Chauly, features a line-up of Farish Noor, Tan Twan Eng, Shih-Li Kow and Iskandar Al-Bakri. You can read more on the festival blog.

After a long hiatus, I am pleased to present the following line-up of writers for our next CeritAku@readings at No Black Tie.
Details are on the attached poster.
We have some emerging and established voices, including poet/playwright Alfian Sa'at from Singapore, Shirley Lim, eminent Malaysian writer/poet based in UC Berkeley California and poet/politician Dr Nasir Hashim, Adun for Kota Damansara and leader of PSM (Parti Socialis Malaysia).
The evening promises to be an enlightening and inspiring one for lovers of the written and spoken word.
Please feel free to pass this on and we hope to see you there!
Thanks and regards
Bernice.
... a literary autobiography, a memoir of sorts in five voices ... about her Chinese and Punjabi family and diasporas which span hundreds of years.It will also form part of her MA in English Literature and Creative Writing at University Malaya. Bernice has also been chosen as one of four writers worldwide to participate in Winternachten's (International Writers' Festival of The Hague) tour of the Dutch Caribbean and Suriname in April on the theme A Sense of Belonging.
Tash Aw last night at No Black Tie, reading from a short story set in Indonesia. He also read a tiny extract from Map of the Invisible World ... and left us hungry for more.
This month we feature a stellar lineup of Malaysian writers who will be reading and storytelling at No Black Tie, 9.30pm, Sunday 7th June :
Adeline Loh read the first hilarious chapter of her book Peeing in the Bush about what drove her to leap into the unknown, the reactions of nearest and dearest, and the search for a travelling companion ...Date: Dec 26 2008Thanks sincerely Shahril Nizam for making the poster!
Time: 9.30pm onwards
Cover: RM20
No Black Tie, 17 Jalan Mesui KL
Tel: 03 21423737
or check out www.noblacktie. com.my for online reservations.
See you there!!
bernice chauly
writer/photographer /actor
www.bernicechauly. wordpress. com
The first reader was Suflan Shamsuddin (above) whose book Reset has just been published by ZI publications. He read one chapter which was written in the form of an exchange of letters debating Malay privilege and the destiny of the NEP.
Paul Leslie Smith (also introduced by Animah and one of her colleagues) chose two contrasting episodes from his large historical novel Rainforest Tears set in Sarawak- the first lushly romantic, the second describing a harrowing scene of absolute violence as a mob takes revenge on a collaborators after WWII. The writing is very vivid indeed. (Sadly, there are no online links to send you to online. Hope the publisher - Marshall Cavendish works to fix this as authors deserve better!)
After the break Bernice read for us - this time a fiction piece but no less raw and moving than her poetry. She is collaborating on a collection of stories with with three other women writers, and of course will be appearing at the Ubud Readers and Writers Festival in October.
Ioannis Gatsiounis read in one of the first Readings (back in 2005!). He was torn whether to read fiction of non-fiction but in the end chose to read a piece from his first book with Beyond the Veneer - his review of Christopher Hitchen's book God is Not Great.
In a very packed-with-good-stuff ReadsMonthly section the Starmag team journalists compile a list of their 51 best reads esp for Merdeka.
Daphne Lee interviews Bernice Chauly about her work (You can find the full interview on Daphne's blog.) :Chauly’s poems are deeply personal. They may or may not be autobiographical in detail, but the stories they tell feel like they were shaped by real emotions and memories.and Ahnaf reviews her collection of poetry The Book of Sins.
They are Chauly’s emotions, memories and stories, but they also speak to and for women the world over. They are familiar tales, but filtered through the voice of an individual, they defy the cliches of everyday experience and become significant, compelling and unique.
Set in minimalist staging that featured a serambi or open platform for village gatherings, 15 Singaporean actors tackled a story that called for a cast of thousands across two generations – you couldn’t get more epic than that, right? Especially so when you have a gamelan orchestra providing for the peaks and troughs of human drama, the deafening clamour of war, and the crescendo of divine retribution. Music composer Joyce Teo and the Gamelan Asmarada group delivered proficiently on that aspect. The underlying political commentary linked current issues to these ancient myths quite commendably in the writing. Similarly, it was truly fascinating to watch the production draw stylistically from bangsawan (Malay opera), dikir barat, and silat to facilitate and vibrantly colour the storytelling.It was quite an honour to have a Malaysian play kick off a Singaporean Theatre Festival. How sad I am I missed it. But I do hope it is staged here soon.

Ahnaf in today's Starmag does a very good job of providing an overview of what's happening on the live literary scene in KL. Noting that:Over the past two years, the idea of poets performing their work rather than just writing for themselves or simply reading it aloud has become increasingly popular ...he interviews local performance poets Priya Kulasegaran and George Wielgus (left - and soon to appear at Readings@Seksan) as well as Bernice Chauly and Chris Mooney-Singh of WordForward who is bringing Poetry Slam to KL.
Younger people like us are getting involved ... After being fed the kind of music you’re supposed to listen to, and the kind of movies you’re supposed to watch, there’s a kind of reaction.I'm glad that the piece also highlights the contribution of the British Council and the Wayang Kata events and workshops it organises and also the wonderful irony that the organisation that has done most to encourage a local literary scene is a foreign one.
It was like, ‘Oh wow, Malaysians? Writers? Really? So good, ah? Wow.’Yeah, that good. Believe it!

It is the uber-fanzine ... the product of an obsession that might be certifiable were it not channelled and refined into this ageless document ... genre-defying ... he’s penetrated the vacuity of Hollywood to tap the heart within.Gerald still seems overwhelmed by the fact that he managed to achieve his dream and write the book. (And it is a beautifully produced book too.)
Bernice Chauly is looking for storytellers for a no Black Tie Gig. Here's her email in all its lowercase splendour, but with links added:dear friends,Bernice can be reached at mulutmata at yahoo dot com.
as you may know, the 'readings' that i began in january 2005 at darling muse art gallery celebrates its 3rd anniversary this month. sharon bakar, now brilliantly* runs the monthly readings at 67tempinis satu.. in the middle of 2007, i also started 'readings' at popular jazz bar noblacktie at the invitation of evelyn hii. both venues have achieved success as platforms for new and emerging Malaysian writers, as well as foreign writers who happen to be in Malaysia at the time.
since kl now has an abundance of literary events; 'readings', wayangkata (a british council event), omg (open mike gig at dram projects), maskara (malay poets/writers at rumah pena), suara kata (r a fine art) and an upcoming poetry slam (wordforward s'pore and dram projects), i have decided to open up this platform even more. inspired by stories related by ex-mcoba schoolboys who remembered mr.wilson (aka anthony burgess) at a recent event, and an email from the paris review which was an invitation to an evening of storytelling in new york (www.themoth.org), i have decided to try out a storytelling session at next month's nbt event. this is aimed at celebrating and remembering our 'penglipur lara' tradition as well as to celebrate the natural storytellers among us.. this means that your aunty, uncle, hairdresser, cikgu, taxi-driver, grandmother, cousin, housekeeper, 'siapa-siapa yang you tahu boleh cerita' is welcome to get up on stage and spin a good ol-fashioned yarn.
conditions: no script, no text, max 15 mins, have to be raconteur' style, off the cuff, entertaining, funny, sad, whatever as long as its a good story...and does not suffer from stage-fright!
i know its a bit last-minute, but if you know of anyone who can pull this off (that includes yourself) please let me know asap.
judging from the new york success of these sessions over the past 10 years, i am confident we will be able to inject even more enthusiasm and fun into our literary outings.
a website is in the works for the readings, and well as plans to publish work read and podcast work to come.
date for first storytelling session/reading - still thinking of a name. anyone??
sunday feb 3rd, noblacktie, 9-12pm
pass the word around!
and please let me know latest this sunday
have a great weekend!
bernice